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Rumple_deWriter
Over 90 days ago
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How y'all are? Me, I'm now well and truly elucidated, at least about 'Bank Holidays' by our chief of elucidation, Henrietta. Many thanks to her and to Larry and Scott for not getting in her way. ;)

Now to fill my mug with hot coffee and then check out the cookies situation.

How y'all are? Always a good day when it begins with and early morning visit from our Henrietta-unit. Someday, someone might be able to clue me in on the backstory of 'Bank Holidays'. No doubt it's tedious and boring but then so is my life story. ;)

The really good news is Ms H. did not take all the cookies prepared by Ms S., he says, cryptically.

Later Spacers.

Morning to all inspired Stories Spacers who enter seeking coffee or tea and a sampling of Sara's cookies.

In the skimpy, C19 fun news category comes the following:

Burger King Italy has playfully added another layer to social distancing with the debut of a new Whopper , triple-loaded with onions, to keep others at a safe physical distance amid the pandemic.

I'm here to report that there is hot fresh coffee and water for DIY tea plus a generous supply of Sara's cookies -- that is except for the oatmeal raisin. ;)
Seems like we inspired Stories Spacers are all getting a late start. But better late than never, thus sayeth the old cliche'. That is especially true when there are cookie jars filled with Sara's cookies and both the coffee pot and tea kettle are ready to provide their own variation of caffeinated fluid to go with dem cookies.

Y'all enjoy your late start.

Coffee! For the love of suffering humanity (at least this particular, maybe even peculiar, carbon-based lifeform, coffee. A handful of Sara's cookies would also be a major kindness.

Ah, now that's mo' better. ;)

Morning to all Inspired Stories Spacers. Larry, that coffee is downright drinkable. If there are a few of Sara's cookies left, I'll try to take care of both them and the java. It's a tough job but when the going gets tough, it's time to sit, drink coffee, and eat cookies, imo. ;)

Morning, Larry. Thanks for the coffee and for leaving a cookie or two for the rest of us. ;)

Nicola's other site appears to be, not just down but WAY down. Even the email notifications seem messed up. Hopefully it's just a temporary glitch and not a major FUBAR. ;)

A totally insincere 'Good Morning!' to all. ;)

Thanks for the coffee, Larry. Glad you and the beloved Vic are experiencing some decent weather for a change.

Now having obtained a mug full of coffee and a representative sampling of Angel's cookies, I'll fold my tent and slip away before the boss shows up.

Morning. Unless someone's been fiddling with the way-back machine, it's Friday. Somehow, boisterous TGIF celebrations do not seem in order.

On the other hand, we can celebrate the good weather in the neck of the woods inhabited by Larry and Carl and Vic. And while the weather is forecast to be vile in Gil's area of operations, at least it may give her a chance to catch up on reading and napping. Heck, even Sara and I are basking in relatively decent weather. As for our founding father, who knows what today's weather will be like north of the border, up Canada way?

The good news is there are/were some oatmeal raisin cookies left, for now. The coffee pot and kettle are ready and willing to be of service.

Y'all do the best ya know how.

Good coffee, Larry. Even better cookies, Sara. And a big 'Happy Hump Day' from this charter member of the over-the-hill gang.

An inspirational good morning to all inspired to enter Inspirations. ;)

Good to have Larry pop inn yesterday with Vic the official Inspirations mascot. I'd have been here, maybe, except, well, I wasn't. My loss. The good news for anyone who follows is the kettle is full of hot water and the coffee pot is also full, but with hot coffee. There are still some of Sara's cookies. Think I'll grab one or two, okay, make that a few, fill my mug with fresh coffee and start trying to catch up on my Stories Space story reading.

Welcome and a big, 'So how's by y'all?' The coffee pot has been cleaned (sorta) and filled with store-bought coffee and water from the garden hose out back and is now converting that into a caffinated elixir. Meanwhile, the tea kettle has kettled a whole lot of water from that same source int hot water for the tea and coco crowd.

Just so the sports deprived know, next week ESPN will begin broadcasting some Korean league baseball games. I'm told the talent level over there is somewhere between AA and AAA minor league baseball over here.

Got me a couple butterfly cookies and a mug full of coffee. My parting advice is for y'all to do the same. ;)

Morning to all who enter seeking inspiration but settle for coffee and cookies.

It's both TGIF and V-E Day (Victory in Europe) so the ingestion of vast quanties of coffee, tea, or Sara's cookies is highly recommended.

Larry, take care of your fool self.

Greetings fellow Inspirations 'Spacers'. An alternative handle for Sara mightb, Cookie Cutie. Just a thought.

Fresh coffee, along with hot water (for our tea sippers) are now available as are Sara's super cookies. Enjoy.

Has anyone else noticed at Cinco de Mayo (May 5' is occurring on a 'Taco Tuesday'? I'm beginning to think Larry may have some serious 'pull' in certain places. ;)

Back in the 'no-pull' world that is, Inspirations, the coffee is ready and downright drinkable, if I do say so myself. Water for the tea and coco crowd is hot to trot, so to speak.

Later, amigos.

It's another Monday Mourning. While that is a major drag, on the good news side are the cookies Sara dropped off yesterday (I'm anxious to try those Almond Joy ones) and there's fresh coffee and hot water for the tea and coco crowd.

Keep the old Survivor in your thoughts, prayers, meditations'good vibe' teleportation,, absent-minded musing, etc..

Later fellow Inspirators.

:gglasses8:
Larry, this is just my humble opinion, but have you considered giving up constant pain as your hobby of choice? ;)

Coffee's ready for consumption and the tea kettle is full of hot water for the tea and coco crowd. Best I can tell, a representative sampling of Sara's most excellent cookies are available.

Y'all do the best you know how.

.
It's Saturday, there's hot coffee and cookies and I've finished moving if not settling in. Y'all keep Larry in your thoughts and prayers. These days just about everybody needs some good vibes sent their way, just ask Gill, but try to save a few for our, Survivor.

,
It's a TGIF morning in Inspirations. Y'all be sure to share some (inspirations, that is, not Sara's cookies).

Anybody have any info on the Survivor? He's one tough nut but pain hurts.

Anyway, coffee's ready for drinking and there's hot water for the tea and coco crowd. Add in a few of Sara's cookies and you got a snack to be savored.

Coffee's cooking and the tea kettle is kettling. Thanks to Sara, there are cookies to go with all that.

We need a sit-rep (situation report) from Larry.

Y'all keep it between the ditches, so to speak.

Larry, a pain in ones 'assets' is bad enough, but around the stomach is something else again, he says, stating the ambiguously obvious. ;)

Take care of your own self and keep us posted.

Good coffee. Better cookies.

It's Tuesday. That chronological factoid raises a logical question, at least by Inspirations standard. Who cares?

The good news is there are some carrot cake cookies still available. The bad news is they're going fast. Fortunately, the two I grabbed will go just right with the coffee that just finished brewing.

Y'all do the best you know how.

Mega-congrats, stories spacers! We've made it through another weekend unbowed though maybe just a bit bow-legged.

Coffee's on and the tea kettle is kettling along to beatThe Band, or any other 'classic' group.

If all of Sara's carrot cake cookies are gone, odds are your ears will soon be assaulted, not to mention 'assailed' by my weeping and whining and gnashing of teeth. ;)

Later, Inspirators.

Coffee pot has been rinsed and filled with fresh water and the best coffee grounds Scott left under the counter. The cookie jars have enough cookies left to insure serious munching is assured until Sara adds a few more to the supply.

Glad to hear your car is in tip-top shape, Larry.

Later, y'all.
There's coffee that's both hot and wet just waiting to be consumed along with hot water for the tea and coco crowd. As a special treat, in addition to Sara's cookies, someone dropped off a box filled with a variety of doughnut holes from the, Day or Two Old Bakery. Yummy. ;)

Here's hoping we all have a humping good Earth Day. (slurp)

The inspirational coffee pot has been rinsed and filled with fresh water and some sort of coffee Scott hhad tucked away under the counter.

Those in need of some sort of condo-mints might want to check out the far right end of the counter. If that doesn't work, try the far left end. If neither one leads to success, then drink it black. ;)

Many thanks to Elizabeth for the kind comment she left on the years old micro-fiction story in my sig line.
25 Poetry Markets Seeking Submissions – April 2020

This is a list of 25 poetry journals/magazines open for submissions now, during the National Poetry Month. Most of these accept other genres too, like fiction and nonfiction, and many pay writers. None charge a reading fee, or they have some fee-free option; they’re listed in no particular order. There are also a few upcoming, fee-free contests and awards/fellowships for poets at the end.
* Taken from the free online newsletter of 'Author's Publish' magazine (highly recommended) For more info, google the publisher then check out its web site

x x x

Bennington Review
This literary magazine aims to carve out a “distinctive space for innovative, intelligent, and moving fiction, creative nonfiction, poetry, film writing and cross-genre work.” They are particularly taken with writing that is simultaneously graceful and reckless. Send 3-5 poems; pay is $20/poem. They have a shortened submission period for this cycle, and the deadline is 8 May 2020. Details here.


Wend Poetry
This is a poetry and visual arts magazine; send up to 5 poems. Their guidelines say, “Themed and unthemed content is accepted. We have no specific aesthetic but welcome the adventurous and new.” Details here.

Atlanta Review
This magazine publishes “all kinds of great poetry; we do not subscribe to any particular “school.” We read and admire lyric, narrative, experimental, form, free verse, prose poems, and any other kind of poetry”, according to their guidelines. Send up to 5 poems. The deadline for submissions via the online system is 1 June, and these are charged; mailed submissions, which can be sent any time, are free. Details here.
They also run the Dan Veach Prize for Younger Poets for college-age students (no entry fee, deadline 1 June 2020, pays $100).


The Fiddlehead
This Canadian magazine is open to writing and translations into English from all over the world and in a variety of styles, including experimental genres. They publish poetry (send up to 6 poems), short fiction, and creative nonfiction. The deadline of 30 April 2020 is for Submittable submissions only – mailed submissions are accepted all year round. Pay is $60/page (Canadian). Details here.

Harbor Review: Portraiture
This is a magazine of poetry (send up to 3 poems) and visual art. They are accepting work for their summer issue, and the theme is ‘Portraiture’. They are also open for reviews of poetry chapbooks, full length books of poetry, poetry and art hybrid books, and art books – “Send us something different. Make a video. Write something unusual. Incorporate an interview. Interpretive dance? Yes!” according to their guidelines. The deadline for this theme is 30 April 2020. Details here.

Cricket Media: New themes

They have announced several special themes for their children’s literary magazines: Beep-Beep, Vroom-Vroom! and Breezy Summer (for BabyBug); Making Make Believe and My Family (for LadyBug); Wordplay and Get a Move On! (for Spider) and Best Friends Forever? and Tales of the Sea (for Cricket). Non-themed submissions are open too. Apart from poetry, they publish fiction, nonfiction, crafts, recipes, and puzzles. Length guidelines vary for each magazine, and deadline for most themes is mid-June; for the Sea theme, it is mid-July. Pay is $3/line of poetry, with $25 minimum. Details here.

Feminist Studies
This journal publishes creative writing, including poetry and short fiction in all forms, apart from papers, research and criticism, art and visual culture features, review essays, and other forms of writing. Their guidelines say, “We are interested in work that addresses questions of interest to the Feminist Studies audience, particularly work that pushes past the boundaries of what has been done before. We look for creative work that is intellectually challenging and aesthetically adventurous, that is in complicated dialogue with feminist ideas and concepts, and that shifts our readers into new perspectives on women/gender.” Details here.


The Massachusetts Review
­­­­­They publish poetry (send up to 6 poems), fiction, essays, hybrid submissions, and translations. Translations are accepted year-round. There is no fee for mailed submissions. The deadline is 30 April 2020, and they pay $100. Details here.

Fly on the Wall Press: Food
This is a UK-based press and magazine and their tagline says, ‘A publisher with a conscience’. They are accepting poetry (up to 3 poems), flash fiction, short stories, book reviews, and artwork on the Food theme. Their editor says, “I’m looking for personal connections with food. Cooking can be a delicate art. Sitting down at a family meal can be painful, explosive, a treasured moment; a special kind of chaotic seasonal holiday! What foods do we worship with in places of worship? What foods do we love with; give as gifts, bake with care? Taste memory can be extremely evocative. What kind of foods define us? What if a lack of food defines us?” They pay royalties. The deadline is 1 June 2020 for the Food theme. Details here.

The Bare Life Review: The Climate Issue
The magazine publishes work by immigrant and refugee authors – from foreign-born authors living in the US, and writers living abroad who currently hold refugee and/or asylum-seeker status. And for the next issue only, they have amended the eligibility rules to include non-immigrant writers who have experienced displacement as a result of climate disaster. They are now reading work on the Climate theme. They accept poetry (send 3-5 poems), fiction, and nonfiction – the work may, but need not, deal explicitly with issues of immigration, exile, or refuge. They welcome translations. American-born translators may submit work by eligible writers, but in such cases payment must be issued to the author. Pay is $300 for poems, and the deadline is 1 June 2020 for the print issue. Details here.


Doubleback Review
They publish pieces of any genre that were published by a journal that subsequently became defunct. They only publish previously-published work from journals that no longer exist. Send up to 5 poems. They accept submissions on a rolling basis. They are associated with Sundress Publications, which publishes ‘The Best of the Net Anthology’. Details here.


The Copperfield Review
This is a historical fiction and poetry magazine. They accept submissions of history-based poetry (send 1 poem). They also publish short stories, nonfiction, reviews, and interviews. Pay is $15 for poetry. Details here.

Modern Haiku
Please send 5–15 haiku/senryu and/or up to 3 haibun per submission, and see guidelines for details of verse forms they do, and do not, accept. Most essays, book reviews, haiga, and cover artwork are specifically commissioned by the editors, so please query before submitting. They pay $5.00 per printed page or part thereof for essays and longer reviews, and $10 for each haiga. They read year-round (see guidelines). Details here.

Boulevard
­While they frequently publish writers with previous credits, they are very interested in less experienced or unpublished writers with exceptional promise.­­­­ Send up to 5 poems. They do not accept light verse. There is no fee for mailed submissions. The deadline is 1 May 2020, and they pay $25-250 for poetry. Details here.

Memoir Mixtape: Vol. 12 – Just My Imagination
They accept poetry (one poem), creative nonfiction, and for this issue, they’re also open to fiction submissions. Their guidelines say, “Music will still be a driving force behind the stories and poems we ultimately select for Vol.12, but other than that, the rules are pretty lax. We’re happy to read flash, poems, and longer short stories, but our typical guidelines still apply (3,500 words maximum).” Also, pieces must be inspired by existing/published songs rather than fictional songs/musicians. They are accepting work on this theme until 30 April 2020. Details here.

We The Women: Wake and Rebirth
This is a call by a performing arts collective for women’s voices – the call is for female-identifying artists and writers. They are commissioning a series of multimedia responses inspired by We The Women’s Wake and Rebirth concepts, which focus on the cycle of loss and the re-emergence of life. They will accept poetry, personal essays, writing/sketch, song, or movement which the writers can perform themselves, if they like. The Wake eulogizes anything that has been left behind or lost, while Rebirth focuses on what we are gaining or growing from. Their guidelines say, “What are you mourning at this time, what has been left behind with the “new normal” we are living in? (Wake)” and “What is developing, growing, and coming to life for you, at this time? (Rebirth).” The pay is $150, and the deadline is 17 April 2020. Details here ( page; includes call), here (call guidelines shared on Twitter) and here (journal contacts page).


Songs of Eretz Poetry Review: Love
They publish themed poetry (submit up to 3 poems) and visual art (all art must contain a seagull). Poetry can be of any length and genre congruent with their themes, including traditional poems, form poems, prose poems, and narrative poems. For this issue, they will donate what they normally pay contributors to a charity to help feed the hungry during the Covid-19 outbreak. The deadline for their Love themed issue is 1 May 2020. Details here.

blood orange
This is an online project and they publish poetry, asemic writing, and concrete/visual poetry. The only formatting requirement is that your piece should be able to fit on a tarot card, which is traditionally 2.75” x 4.75” or about 25 lines long — “that said, if you are passionate about a longer poem and think it would be a good fit, we can sometimes make adjustments or arrangements for that, too. We love submissions in languages other than English, but as our editor only knows English and French, please include a translation of your piece if it is not in either of those languages.” They’re currently reviewing and accepting submissions for upright cards, and also welcome submissions of reversed cards. “If you are unsure about what cards are still available, check out the card index or get in touch with our editor. Right now, the plan is to publish a full tarot deck of upright and reversed cards; if we get lots of community support for the project, we could potentially publish more editions. Our dream is to eventually publish a print edition of blood orange.” Pay is $15 (Canadian) per Tarot card. Details here.


Kaleidoscope
They publish poetry (send up to 5 poems), short fiction, creative nonfiction, articles, and book reviews on disability, and artwork. They want poems that have strong imagery, and evocative language. They publish work from writers with and without disabilities. They accept previously published work. Pay is $10-100. Details here.

Fearsome Critters: The Quaranzine – Poetry in the Time of COVID-19
They want poems that directly deal with life under quarantine during the COVID-19 outbreak. Their guidelines say, “During uncertain and devastating times such as these, poetry can be especially powerful in connecting us through a universal human experience. With so many cities, states/provinces, and countries hunkering down during this unprecedented modern pandemic, we figure that many (if not all) writers will be trying to record and work through this strange new normal. We here at Fearsome Critters are such people!

With that in mind, we are opening submissions for our first ever online zine! Submissions will be free for the first 250 submitters each month.” This call is open to everyone. Send up to 3 poems. The deadline is 23 May 2020. Details here.

Northern New England Review: Front/Lines – The Poetry of Nursing & Voices of Nurse-Poets
They want poetry from nurse-poets and caretakers. They’re also looking for poems about nursing. Their guidelines say, “Send us your poetic lines about caring, healing, suffering, the language of the body, time, nursing school, rituals, balms, and the danger and magic of touch.
As a literary journal dedicated to the creative voices of Maine, New Hampshire, and Vermont, we are eager to publish pertinent works by nurse-poets and writers from the region, but this call is open to everyone.” (They’re also reading work from New England poets for their 40th anniversary issue, themed Almanac). Details here.

Eastern Iowa Review: Hope in Renewal
They are accepting essays, poetry (prose or standard, though they much prefer prose poetry), or fiction up to 1,000 words (no line limit for poetry), and art on the theme, ‘Hope in Renewal’. Send up to 3 in one genre with a maximum word count of 3,000 words. Their guidelines say, “Some tie-in to the theme, though the connection may be understated or oblique. We welcome many interpretations of “hope,” and realize not everything hopeful will be bright and shiny. If you’re bringing us something darker, please make sure it ends with hope, with something that lifts our spirits. We need that at this time in history.” Work must be smart, preferably lyrical, and geared towards a wide audience. There is one Editor’s Choice Award of $50. The deadline is 30 April 2020. Details here.

Bracken
This is a literary magazine born of the love of the woods and its shadows. They are reading fiction pitches and poetry for their next issue. Their guidelines say, “We consider any style of poetry, although we confess our bias toward the lyrical. We look for natural-world, and especially arboreal, elements in the poems we receive.” They are also reading work, including poetry, on an ongoing basis for Corona Hopelings, though they cannot pay for these. For regular submissions, send up to 4 poems. Pay is $15/poem, and the deadline is 19 April 2020. Details here.

LIVE
This is a take-home story paper distributed weekly in adult Sunday School classes. They publish poems, fiction, true stories, nonfiction, how-to articles, first-person anecdotes, and short humor. They pay $35-60 for poetry. Details here (scroll down).

The Offing
This online magazine publishes creative writing in all genres and art in all media. They want work that “challenges, experiments, provokes – work that pushes literary and artistic forms and conventions.” They publish poetry (send up to 5 poems), fiction, Micro, translations, and several other columns. There’s no reading fee in 2020. They pay contributors $25-100. Details here.

POETRY PRIZES OPEN NOW
Here are some forthcoming contests/awards open for poets. Many have geographic restrictions. None charge an entry fee.

Holland Park Press: Is Royalty Relevant? A Poetry Competition
This is an international poetry contest on the theme, ‘Is Royalty Relevant?’ Their guidelines say, “We invite you to write a poem about a member or members of royal families from countries around the world.
This is the theme but first and foremost we are looking for outstanding poems, literary and subject wise, we don’t need to agree with your views, but we want to feel your poem comes from the heart and adds something new to our poetic legacy.
You can write about any aspect of royalty: their role, actions, dress sense, sense of duty, scandals, economic relevance, artistic or sporting interests, their dogs and other pets or even their handbag (what’s in it?). You can be a royalist or staunch republican, that’s all fine, as long as, we are moved, excited, amused, annoyed or inspired by your poem.” Poems must not exceed 50 lines.
Value: £200
Deadline: 27 April 2020
Open for: All poets
Details here.

Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowships
These fellowships are for young poets who are US residents or citizens. Application includes up to 10 pages of poetry.
Deadline: 30 April 2020
Value: Fellowships of $25,800 each
Open for: US poets aged 21-31 years
Details here.

(These are run by The Poetry Foundation, whose magazine, Poetry, pays well for poetry and related writing.)

2020 ALTA Travel Fellowship
Each year, 4 to 6 fellowships are awarded to emerging (unpublished or minimally published) translators to help them pay for hotel and travel expenses to the annual American Literary Translators Association conference (in Tucson, AZ). Among the fellowships is the Peter K. Jansen Memorial Travel Fellowship, which is preferentially awarded to an emerging translator of color or a translator working from an underrepresented Diaspora or stateless language. Also see their other awards for published works, some of which do not charge a submission fee.
Value: $1,000 each
Deadline: 4 May 2020 (extended)
Open for: Unspecified
Details here and here.

James Laughlin Award
This is for a second full-length poetry manuscript by a US poet, contracted by a publisher. Manuscripts have to be 48-100 pages long. Translations and new editions of previously published books are not eligible.
Value: $5,000, residency
Deadline: 15 May 2020
Open for: US poets (see guidelines)
Details here.

Bacopa Literary Review Writing Contest
They have prizes in fiction, nonfiction, poetry (up to 3 poems), and humor.
Value: $300 first prize, $100 second prize in each
Deadline: 31 May 2020
Open for: All writers
Details here

Atlanta Review: Dan Veach Prize for Younger Poets
The Dan Veach Prize for Younger Poets solicits poems from college-age students, aged 18-23, on any subject or style. Poems with an international focus are especially welcomed, but all poems must be written in English. Students may submit up to two poems (40 lines or fewer for each poem). A letter of recommendation (up to 500 words) from a teacher or other person well-acquainted with the student’s writing must accompany the poem(s). The recommendation letter should affirm that these poems are the student’s original work.
Value: $100
Deadline: 1 June 2020
Open for: College-age poets (18-23 years)
Details here.

The Dallas Institute of Humanities and Culture: Hiett Prize in the Humanities
This prize is aimed at identifying candidates in the early stages of their careers devoted to the humanities and whose work shows extraordinary promise to have a significant impact on contemporary culture. Applications include a Narrative Profile of Accomplishments and Published Work, and a plan for Future Scholarship and/or Project in the Humanities. Applicants must be active and continuing in their work. Age and length of experience are not necessarily limiting factors. Past winners have included writers of columns, nonfiction, poetry and memoir, and journalists.
Value: $50,000
Deadline: 1 June 2020 (extended)
Open for: Those resident in the US
Details here.

Words Without Borders Poems in Translation Contest
This is a poetry translation contest. It is open to contemporary international poetry translated from other languages into English. Apart from the cash prize, four winning translated poems will be co-published on Words Without Borders, the digital magazine for international literature, and in Poem-a-Day, the popular daily poetry series produced by the Academy of American Poets, throughout September, which is National Translation Month.
Value: $150 each for winning poets and translators
Deadline: 1 June 2020
Open for: All poet-translators
23 Publishers that Accept Science Fiction or Fantasy Novels


Most of these publishers are interested in science fiction and/or fantasy. Some publish just one of these genres. Others publish many genres and types of books, science fiction and fantasy just being one genre among many.

Some are small companies, others are imprints of major publishing houses. They are not listed in any particular order.

For more information including submissions guidelines, google the publisher's name then check out its web site.

* taken from the free online newsletter of: Authors Publish magazine (highly recommended)

x x x

DAW

DAW is an imprint of Penguin. They publish science fiction and fantasy books. Read the full review here.

Angry Robot

Angry Robot is a respected science fiction and fantasy publisher that occasionally dips into related genres (such as urban fantasy, steampunk, and horror). Angry Robot was originally funded by HarperCollins. They are now part of Watkins Media Ltd. They offer advances and good royalty rates. The contract they offer covers print, eBook, and audio book rights. They have one or two open reading periods a year. You can read our full review here.

Chandra Press

Chandra Press is a digital first press that focuses on publishing science fiction. They do offer print versions of all their books. They have a detailed staff page that is very different than most publishers, because the focus feels so much like it’s on the past financial success of the team. They don’t have an about the press page, and they do not have distribution outside of Amazon. They have been around since early 2018, so they are still a young press. Learn more here.

Flame Tree Press

Flame Tree Press is an imprint of Flame Tree Publishing. Flame Tree Press focuses on publishing speculative fiction, science fiction, fantasy, horror and crime fiction. They have been around for a couple years now and have good distribution in the US and the UK. I have seen their books at brick and mortar bookstores on numerous occasions. Learn more here.

Excession Press

Excession Press is a small press focused on horror, science fiction, weird western, or dark fantasy with literary merit. The books they publish are between 30,000 and 60,000 words in length. They say they have a few hundred words worth of wiggle room on either end of that guideline, but that is it. You can learn more here.

Blue Moon

Blue Moon is a boutique Canadian Publisher. They focus on publishing literary fiction and women’s fiction, as well as young adult and middle grade works. The stories they publish span various genres including contemporary, historical, mystery, science fiction, and fantasy. Read our full review here.

Edge

Edge is an established and well respected Canadian publisher of science fiction and fantasy. They have great distribution within Canada, and good distribution within North America. They are open to authors regardless of nationality. To learn more, read the full review here.

Jo Fletcher Books

Jo Fletcher Books is an imprint of Quercus Publishing, the only imprint that accepts unsolicited submissions. Jo Fletcher Books publishes science fiction, fantasy, and horror books for adults. They are not interested in children’s or young adult books, or in short story collections or novellas. Read our full review here.

The Parliament House

The Parliament House is a small eBook and print press started in 2016. They specialize in fantasy, including paranormal, contemporary, and urban. Their website is well designed and the covers are well designed and market appropriate. They seem active on social media and more focused on recruiting readers than writers. Read our full review here.


Baen

Baen is one of the best known publishers of science fiction and fantasy novels. They are very well regarded. To learn more, read our full review here.

Aethon Books

Aethon Books is a print and eBook publisher that focuses on science fiction and fantasy. They are open to all sub-genres within these genres including hard sci-fi, epic fantasy, space opera, military SF, alt/history, and time travel. This includes books for young adults, although they haven’t published many yet. You can learn more here.

Tor/Forge

Tor/Forge publishes science fiction and fantasy books. They are run by Tom Doherty Associates, LLC. Tor/Forge is an imprint of Macmillan, one of the big five publishers. Tor is one of the most established science fiction publishers. Read our review here.

Ghostwoods Books

Ghostwoods Books is a small publisher that has been around for almost a decade now. They publish books in paperback and eBook editions. They publish sci-fi, fantasy, speculative fiction and non-gore horror novels for adults. Read our full review here.

Tartarus Press

Tartarus Press is a small British publisher that opened in the 1990s. They specialize in publishing literary supernatural/strange/horror fiction. They are best known for their limited edition hardbacks with distinctive cream covers. They also publish paperbacks and eBooks. The press has won 5 World Fantasy Awards and 1 Bram Stoker Award for horror. Read our full review here.

Quirk Books

This Philadelphia-based press publishes just 25 books a year in a whole range of genres, including children’s books, nonfiction, and science fiction. Unlike most publishers who tackle a large range of topics, Quirk Books has a clear marketing plan and to a certain degree their books have a cohesive feel, because they all are quirky. Read our full review here.

Diversion Books

Diversion Books was started by Scott Waxman of Waxman Literary Agency. He said that it started as an experiment of sorts to publish books that the agency represented that they had a hard time finding “Big 5” publishers to accept. That was seen as conflict of interest, and writers were initially very leery. However, after eleven years they seem to be doing a good job. Read our full review here.

Parvus Press

Parvus Press is a new digital first publisher of science fiction and fantasy novels. They have been around for over three years now, and they offer advances. Read our full review here.

Polis Books

Polis Books is an independent publisher of fiction and nonfiction, founded in 2013. Their focus is on publishing new voices. They are a technologically driven company. They publish print and digital books. Read our full review here.

Stairway Press

Stairway Press publishes and markets literary books in a variety of genres including science, science fiction, short stories, political essays, literary thrillers and adventure books. They are not interested in young adult or children books. Their main focus is quality writing. Although a number of the books I looked at I would not describe as literary, even in the context of genre. Read our full review here.

Talos Press

Talos Press, an imprint of the independent publisher Skyhorse, accepts unagented submissions of science fiction, fantasy, and horror. They have good distribution. Read our full review here.

Tell-Tale Publishing

Tell-Tale Publishing is a small press founded in 2009. They seem to focus primarily on eBooks but also they have print options (largely print on demand). They publish six imprints which include Dahlia (romance, and various romance subgenres), Stargazer (fantasy, steampunk), Nightshade (horror), Casablanca (mystery), Thistle (middle school, YA, new adult), and Deja Vu (reprints for all genres). Read our full review here.

Brother Mockingbird

Brother Mockingbird Publishing is a small independent press committed to discovering writers from the American South, but they are also open to good fiction, regardless of where the author is based. They recently celebrated their two year anniversary, so they are a new press. Among many other genres they publish science fiction, horror, and fantasy. Read our full review here.

Uproar Books

Uproar Books was founded in 2018 by Rick Lewis, who has a background in marketing, not publishing. Uproar books published its first book in early 2019. They only publish epic fantasy and science fiction for adults and young adults, and they are only interested in publishing series of books (although only the first one needs to be completed when you initially submit).
Well, my 'really big' news is the slight alteration on my sig line. (Larry's taco tag inspired me, so to speak) ;)

Good coffee - great carrot cake. ;)
So how's by y'all? Cyn, love ya. I mean to say, you are a real human being -- among many other complimentary things BUT if you've taken all of Sara's carrot cake, we are heading for a 'Come to Jesus' meeting. ;)

Larry, that Vic is a great example of how to deal with stressful situations, imo.

BTW, down-right drinkable coffee. Many thanks. Oh,joy unto the world, there is carrot cake to go with it. smile